If you're an amateur musician looking for a beat making machine, professional software used by the studios may seem the obvious choice. After all, it's the most powerful and flexible beat making software available, right? But professional beat making software also has several drawbacks for a beginner you may want to consider.
First, professional software is by far the most expensive, easily costing hundreds of dollars. Second, it's often overkill for amateur musicians. Designed for music industry experts, the terms and labels are often very technical, full of industry jargon you may not understand. It's filled with exotic tools and features that you may not be familiar with, don't know how to use, and probably don't need anyway.
Author: Beebob, http://www.beatsmusicworld.com, 2010
Tuesday, March 23, 2010
Saturday, March 20, 2010
Beat-Making Shareware: A Beginner's Best Bet
If you're an amateur laptop DJ, you've got three broad choices for beat making software: freeware, shareware and professional software. For a beginner, Shareware is the best way to go.
First, shareware is cheap. Depending on the brand, it usually costs between $20 and $50-much less that professional software, which can cost hundreds of dollars.
Second, unlike freeware which is famous for containing spyware, adware, and other malicious programs, purchased shareware is generally clean, safe, and secure.
Third, shareware is often designed for amateurs. The layout is straightforward, the language plain and simple, and the tools easy to use. It has all the power and features you'll need, while leaving out strange and complicated tools you probably wouldn't use anyway, and only serve to confuse you.
Author: Beebob, http://www.beatsmusicworld.com, 2010
First, shareware is cheap. Depending on the brand, it usually costs between $20 and $50-much less that professional software, which can cost hundreds of dollars.
Second, unlike freeware which is famous for containing spyware, adware, and other malicious programs, purchased shareware is generally clean, safe, and secure.
Third, shareware is often designed for amateurs. The layout is straightforward, the language plain and simple, and the tools easy to use. It has all the power and features you'll need, while leaving out strange and complicated tools you probably wouldn't use anyway, and only serve to confuse you.
Author: Beebob, http://www.beatsmusicworld.com, 2010
Friday, March 19, 2010
Beat Makers, Beware of Freeware!
If you're a beginning just starting to compose rap or hip hop music, free beat-making software may look very tempting. But before you download it, here are things to make you think twice.
First, freeware tends to be inferior, with less power, flexibly, and features than shareware or professional software. For example, it may contain only an 8-track sequencer instead of a 16- or 32-track sequencer.
Second, free software is notorious for containing hidden spyware, adware, Trojan horses, and other malicious programming that can damage your computer or get it hacked.
Third, free software is not supported. There's no 1-800 tech support hotline for you to call. If you have technical problems, you're on your own.
Author: Beebob, http://www.beatsmusicworld.com, 2010
First, freeware tends to be inferior, with less power, flexibly, and features than shareware or professional software. For example, it may contain only an 8-track sequencer instead of a 16- or 32-track sequencer.
Second, free software is notorious for containing hidden spyware, adware, Trojan horses, and other malicious programming that can damage your computer or get it hacked.
Third, free software is not supported. There's no 1-800 tech support hotline for you to call. If you have technical problems, you're on your own.
Author: Beebob, http://www.beatsmusicworld.com, 2010
Sunday, March 7, 2010
Make Rap Beats Just Like Famous Rappers with the Help of a Simple Computer Program
If you are a fan of rap music then chances are that you have been following it for quite some time. There were the early days when NWA ruled and taught the world how to make rap beats to the sensation of Eminem that showed rap music knows no color to the style of Lil Wayne who is never afraid to mix things up and show that rap is all about diversity. A true rap fan is someone who loves the beats at the heart of a good song and can really appreciate the hard work that goes into producing rap music.
Rap music is actually a fairly new style of music. It grew from a simple street music to a phenomenon that has taken numerous rappers from the projects and turned them into multimillionaires whose faces are recognized around the world. Rap music has discovered a following of loyal fans who understand the music goes far beyond explicit lyrics and who all want to learn how to make rap beats .
One of the biggest names in rap music from the 90s was Death Row Records. Death Row was the label for Snoop Dogg, Dr Dre and Tupac. Snoop, Dre and Tupac ruled the airwaves in the 90s and set the standard for how to make rap beats . They were the west coast crew that spoke about real life in the hood. They talked about guns, drugs and women. They told stories about the streets and about how difficult it was to stay right when you came from the mean streets of Compton and Long Beach.
During this same time, the east coast saw some big names, too. The Notorious BIG, Puff Daddy (as he was known back then) and Jay-Z were all big names from the east coast that had their own style of how to make rap beats. They, too, talked about how life was when you were living fast and everyone around you was dying young.
There came a turning point in rap music with the deaths of Tupac and Biggie. Rap music was changing. New names were coming on the scene and rap became more about mixing up beats and got away from the heavy bass lines that used to be key to rap music. At this time Eminem hit the scene and nothing about how to make rap beats has been the same since.
Slim Shady held nothing back. He talked about his life, his family and how he felt on almost every subject you can imagine. He is still putting it out there telling the world how he feels. His beats were crazy and everyone wanted to know how to make rap beats like him. He liked to shake things up with melody lines and mixes that were quite different than the beats of the early and mid 90s.
Today, rappers are trying all types of new things. Rap is still about the beats. There is always an amazing baseline that leads the song, but these days rappers are not afraid to try new things and add in beats of all kinds.
No matter which era of rap you like, you can create your own music and beats. If you have the skill to string together some amazing raps then all you need is to add in a beat and you have your own rap song that could one day end up topping the charts. Creating beats is very easy if you use a computerized program. A computer program lets you become the DJ and will even help you in learning how to make rap beats. You can mix beats just like you would if you were in an actual recording studio. These programs are easy to use and will have you creating your own rap hits in no time. Maybe one day your name will be a part of rap history.
Author: Beebob, http://www.beatsmusicworld.com, 2010
Rap music is actually a fairly new style of music. It grew from a simple street music to a phenomenon that has taken numerous rappers from the projects and turned them into multimillionaires whose faces are recognized around the world. Rap music has discovered a following of loyal fans who understand the music goes far beyond explicit lyrics and who all want to learn how to make rap beats .
One of the biggest names in rap music from the 90s was Death Row Records. Death Row was the label for Snoop Dogg, Dr Dre and Tupac. Snoop, Dre and Tupac ruled the airwaves in the 90s and set the standard for how to make rap beats . They were the west coast crew that spoke about real life in the hood. They talked about guns, drugs and women. They told stories about the streets and about how difficult it was to stay right when you came from the mean streets of Compton and Long Beach.
During this same time, the east coast saw some big names, too. The Notorious BIG, Puff Daddy (as he was known back then) and Jay-Z were all big names from the east coast that had their own style of how to make rap beats. They, too, talked about how life was when you were living fast and everyone around you was dying young.
There came a turning point in rap music with the deaths of Tupac and Biggie. Rap music was changing. New names were coming on the scene and rap became more about mixing up beats and got away from the heavy bass lines that used to be key to rap music. At this time Eminem hit the scene and nothing about how to make rap beats has been the same since.
Slim Shady held nothing back. He talked about his life, his family and how he felt on almost every subject you can imagine. He is still putting it out there telling the world how he feels. His beats were crazy and everyone wanted to know how to make rap beats like him. He liked to shake things up with melody lines and mixes that were quite different than the beats of the early and mid 90s.
Today, rappers are trying all types of new things. Rap is still about the beats. There is always an amazing baseline that leads the song, but these days rappers are not afraid to try new things and add in beats of all kinds.
No matter which era of rap you like, you can create your own music and beats. If you have the skill to string together some amazing raps then all you need is to add in a beat and you have your own rap song that could one day end up topping the charts. Creating beats is very easy if you use a computerized program. A computer program lets you become the DJ and will even help you in learning how to make rap beats. You can mix beats just like you would if you were in an actual recording studio. These programs are easy to use and will have you creating your own rap hits in no time. Maybe one day your name will be a part of rap history.
Author: Beebob, http://www.beatsmusicworld.com, 2010
Friday, March 5, 2010
What to Look for in a Music Production Machine
BPM Control
BPM stands for beats-per-minute, which establishes the tempo for your song. For example, a slow love song would have tempo of 70 BPM, while fast dance music could have a tempo of 200 BPM or higher. A music production machine that allows you to quickly and easily adjust the BPM of your song is a useful and powerful tool.
MP3 Export
Make sure the music production machine you choose has the ability to export the completed song to MP3 format. The MP3 format is open-source, meaning anyone can use it for free, and is compatibly with almost every digital music player on the market. Many music production machines will only export the completed song to an obscure and proprietary format that is only compatible with a handful of digital music players. Unfortunately, a lot of musicians don't realize this until they've completed their song and try to distribute it to their friends. When they find that can't, or that it's very difficult and/or expensive to do so, it can be very frustrating.
These are just the basic any decent music production machine should have. Other great (but non-essential) elements to look for in a good music production machine include large sample & sound libraries, VST plugins, and built-in audio production tools. In general, try to get a music production machine with as many extra features as your budget can afford. But don't settle for a music production machine without any of the elements mentioned above. Sooner or later, you'll regret it.
Author: Beebob, http://www.beatsmusicworld.com, 2010
BPM stands for beats-per-minute, which establishes the tempo for your song. For example, a slow love song would have tempo of 70 BPM, while fast dance music could have a tempo of 200 BPM or higher. A music production machine that allows you to quickly and easily adjust the BPM of your song is a useful and powerful tool.
MP3 Export
Make sure the music production machine you choose has the ability to export the completed song to MP3 format. The MP3 format is open-source, meaning anyone can use it for free, and is compatibly with almost every digital music player on the market. Many music production machines will only export the completed song to an obscure and proprietary format that is only compatible with a handful of digital music players. Unfortunately, a lot of musicians don't realize this until they've completed their song and try to distribute it to their friends. When they find that can't, or that it's very difficult and/or expensive to do so, it can be very frustrating.
These are just the basic any decent music production machine should have. Other great (but non-essential) elements to look for in a good music production machine include large sample & sound libraries, VST plugins, and built-in audio production tools. In general, try to get a music production machine with as many extra features as your budget can afford. But don't settle for a music production machine without any of the elements mentioned above. Sooner or later, you'll regret it.
Author: Beebob, http://www.beatsmusicworld.com, 2010
Tuesday, March 2, 2010
What to Look for in a Music Production Machine
If you want to make music-whether you're a professional musician or just an enthusiastic hobbyist-it has never been easier or cheaper to do so. Gone are the days where you needed a professional sound studio full of expensive equipment just to produce one song. Today, you can access a music production machine online for cheap or free that give you all the power of a professional audio lab on your home computer... assuming you get the right one, that is.
There are dozens of different music production machines currently available through the internet and, like any product, there is a wide range of quality from excellent to abysmal. When selecting a music production machine, what should you look for? How can you tell a good one from a bad one? To help you decide, this article will list the must-have features any music production machine worth its salt should have.
Sixteen-Track Music Sequencer
Make sure the music production machine you eventually decide on has a music sequencer with at least sixteen separate tracks, preferably with individual volume controls for each track. A lot of smaller, cheaper music production machines have only an eight-track music sequencer. This is fine if all you need is to create a simple beat line. But if you want to create a full song, you'll need additional tracks for the instrumental melody and vocals, and eight tracks just isn't enough for all that.
Some music production machines (usually the more expensive, high-quality types) have thirty-two tracks. You might need this if you are a professional musician, but if you are an amateur or a beginner, thirty-two tracks is probably way more than you'll ever need or use.
Virtual Keyboard
If you're composing a complete song, not just a beat line, then you'll need to insert an instrumental hooks and the main melody at some point. The easiest way to do this is to tap the music out on a virtual keyboard. Virtual keyboards can generally be used to play other instruments beside piano, and the more the better. A virtual keyboard that allows you to sample a sound and they play it back as different notes is a useful bonus, but not strictly necessary.
Continue...
There are dozens of different music production machines currently available through the internet and, like any product, there is a wide range of quality from excellent to abysmal. When selecting a music production machine, what should you look for? How can you tell a good one from a bad one? To help you decide, this article will list the must-have features any music production machine worth its salt should have.
Sixteen-Track Music Sequencer
Make sure the music production machine you eventually decide on has a music sequencer with at least sixteen separate tracks, preferably with individual volume controls for each track. A lot of smaller, cheaper music production machines have only an eight-track music sequencer. This is fine if all you need is to create a simple beat line. But if you want to create a full song, you'll need additional tracks for the instrumental melody and vocals, and eight tracks just isn't enough for all that.
Some music production machines (usually the more expensive, high-quality types) have thirty-two tracks. You might need this if you are a professional musician, but if you are an amateur or a beginner, thirty-two tracks is probably way more than you'll ever need or use.
Virtual Keyboard
If you're composing a complete song, not just a beat line, then you'll need to insert an instrumental hooks and the main melody at some point. The easiest way to do this is to tap the music out on a virtual keyboard. Virtual keyboards can generally be used to play other instruments beside piano, and the more the better. A virtual keyboard that allows you to sample a sound and they play it back as different notes is a useful bonus, but not strictly necessary.
Continue...
Author: Beebob, http://www.beatsmusicworld.com, 2010
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